It began with a easy but hanging realization. Parks throughout Memphis had backboards plastered with soda adverts however lacked primary sport strains. For Challenge Backboard co-founder Dan Peterson, that disconnect sparked a imaginative and prescient that has since advanced right into a decade-long mission of restoring basketball courts as vibrant, suave group areas.
“In 2015, I used to be strolling by means of parks in Memphis and noticing the dearth of court docket strains,” Peterson recollects. “In the meantime, I used to be additionally seeing images of the Pigalle court docket in Paris with these caricatures of celebrities. That distinction made me take into consideration how a lot an area can affect whether or not folks need to play in it.”
Right this moment, Challenge Backboard is synonymous with the convergence of artwork, group and basketball. Over the previous 10 years, they’ve collaborated with among the dopest modern artists to rework courts into dynamic public canvases, from Carlos Rolón to Religion Ringgold to Adia Millett to Edgar Heap of Birds. And whereas every mission tells a singular story, Peterson struggles to isolate a second on the journey that surpasses all of them.
“There are such a lot of,” he says, laughing. “Our court docket with Carlos Rolón being featured on a SLAMUPS poster, the Religion Ringgold court docket making it into Individuals journal, my youngsters taking part in pick-up with Tom Holland on Adia Millett’s court docket in Oakland. It’s like every mission provides a distinct brushstroke to the general image of what we’re making an attempt to do.”
What started as a grassroots effort to revive sport strains has blossomed right into a nationwide initiative impacting numerous communities. However Challenge Backboard’s evolution wasn’t solely about scaling up; it was about refining the mission.
“Initially, it was about giving youngsters in each Memphis neighborhood a spot to shoot free throws,” Peterson says. “Now, we prioritize the expertise of park customers and ensure the area serves each the hoopers and the artist collaborators. If folks need to spend time there, and artists need to work with us, every thing else will observe.”

This ethos is obvious of their newest initiatives, just like the Actual-Time Basketball Membership, which invitations adults and children to play collectively as teammates reasonably than simply as coaches or mother and father. One other initiative, Frequent Follow, offers a platform for exploring the intersection of basketball and modern artwork past public parks.
“Frequent Follow is an area the place we are able to ask, What occurs when basketball turns into the medium for modern artwork? It’s a approach to hold pushing the dialog ahead,” Peterson says.

In a symbolic nod to its beginnings, Challenge Backboard can be returning to Chickasaw Heritage Park in Memphis in late August, the court docket that birthed all of it. The court docket now will function paintings by Nina Chanel Abney, an artist whose early partnership with the group set the stage for a decade of impactful collaborations.
“Redoing that court docket fills me with an immense sense of gratitude,” Peterson displays. “I first found Nina’s work by means of Elliot Perry again in 2014. Reaching out to her was an extended shot; on the time, the concept of portray public park courts with artwork didn’t actually exist. However Nina stated sure. That willingness opened the door to working with so many different unimaginable artists.”
Since then, Challenge Backboard has invested practically $5 million into public parks throughout the nation, thanks to those elevated artist collaborations. However, not one to hog the rock, Peterson naturally deflects the credit score to his staff.

“The work itself couldn’t get finished with out our mission set up staff, the Division of Artwork, Work & Basketball—the folks really filling cracks, pouring shade coatings, taping edges and pulling squeegees,” he says. “Their dedication and onerous work have been the spine of each mission.”
As Challenge Backboard enters its second decade, Peterson encourages everybody who “loves basketball” to carry that love into the parks, not solely as gamers however as stewards.
“When you love the sport, don’t hold that like to your self,” he says. “Spend time in public parks—hooping, teaching, hanging nets, choosing up trash. Share that love together with your group. That’s how all of us win.”
Header portrait by Austin Bell.
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