120 years of innovation and inspiration: Rwandan artist wins high prize in competitors hosted by the FIA and Rwanda’s Ministry of Youth and Arts
As a part of the celebrations for the Fédération Internationale de l’Car’s (FIA) a hundred and twentieth anniversary 12 months, and in partnership with Rwanda’s Ministry of Youth and Arts, Rwandan artists had been invited to submit works impressed by this momentous event with the prospect to win a money prize and attendance on the glittering FIA Awards hosted this 12 months in Kigali.
Following a big variety of entries from artists finding out on programs verified by the Rwanda TVET Board, Rwanda Polytechnic, and College of Rwanda’s School of Science and Know-how, a winner, and second and third runners up, had been chosen by the esteemed judging panel of FIA Common Supervisor Alberto Villarreal, curator and lawyer serving the Cultural Outreach of African Artwork Sophie Kabano, and Epaphrodite ‘Epa’ Binamungu, Common Supervisor of Inganzo Arts Centre.
Unveiled throughout the FIA Common Assemblies week in Kigali, the profitable art work submitted by Ishimwe Gad, a Graphic Design and Animation scholar at Kigali School, will turn into part of the FIA’s everlasting assortment housed within the iconic headquarters within the Place de la Concorde in Paris, France.
FIA Common Supervisor, and competitors decide, Alberto Villarreal stated: “I used to be delighted with the various inventive submissions we acquired, and the selection was not a simple one to make!
“To see how the FIA’s 120-year historical past was interpreted was an inspiration and my congratulations to our winners.”
Submissions had been judged on the relevance to the theme of FIA: 120 years of legends, the originality of the creation, the aesthetic qualities of the piece, and the combination of Rwandan parts.
The profitable art work from Ishimwe, titled ‘Echoes of Engines and Drums’, celebrates the historical past of the FIA and the soul of Rwanda. It tells a robust story of historical past in movement, the place the roar of the engines meets the regular rhythm of conventional drums. Collectively, they sing of progress and custom, of innovation and id. It’s greater than a celebration of vehicles, it’s a celebration of individuals, tradition, and progress.
First Prize: Ishimwe Gad, ‘Echoes of Engines and Drums’
Second Prize: Jean d’Amour Imanishimwe, ‘Wheel in Residing World’
Third Prize: Arielle Keza, ‘Rwanda: Racing In the direction of Transformation’
